Sobriquet 47.23

I had the rather odd -- though thoroughly pleasing -- experience of reading my own published essay on Disgrace this evening. Now, this is not always a pleasant activity. We do well to remember Thomas Pynchon's apt reflections on rereading his early fiction in the introduction to Slow Learner: revisiting "anything you wrote [in the past], even cancelled checks" can be a major "blow to the ego" (3).

Fortunately, I found that I continue to agree with my earlier assessment of the book. What I wrote then strikes me now, even after having read virtually every published essay on the novel, as a strong, reasonable reading of Disgrace. So I was mercifully spared a major blow to my ego. Of course, I'd be a very poor critic (which is not to imply that I am, in fact, a good one) if I did not find flaws in my earlier work. And I did. I think I may have been a bit too generous in my assessment of David Lurie at times. For instance, I have to place myself among the many critics who have referred to Lurie's dubious relationship with Melanie Isaacs as "an affair" rather than a sexual assault.

Overall, though, I find that the essay remains a firm articulation of my initial reading of the novel and accurately reflects my current understanding of Disgrace. Naturally, with time, my interpretation of the book has become fuller and more nuanced, but fundamentally my interpretation has not altered a great deal. I continue to view Disgrace as a portrait of David Lurie's existential maturation and I think the essay does a fine job of expressing this belief. But there is more to be said.

For tomorrow: Same as today.

Works Cited

Grayson, Erik. "'A Moderated Bliss': J. M. Coetzee's Disgrace as Existential Maturation." J. M. Coetzee: Critical Perspectives, ed. by Kailash Baral. New Delhi: Pencraft, 2008. 161-169.

Pynchon, Thomas. Slow Learner: Early Stories. Boston: Little, Brown, 1985.


From Minxy:

YAY for you!!! It's always good to know that one's own work is enduring. YAY!!!!! :)

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